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His blunt rapping and resounding voice are on full display over production from DJ Scott La Rock. It helped to establish him as one of New York’s great emcees, alongside Rakim, Kool Moe Dee, and Juice Crew rappers Big Daddy Kane and Kool G Rap. KRS-One was already an emerging star in the mid- to late-'80s, but "South Bronx" was a defining moment for his budding rap career. In 1986, BDP released the thumping, Shan-slamming "South Bronx", which was equal parts dis record and hometown anthem. The Boogie Down Productions response was swift. It’s well-established that the Bronx is the birthplace of hip-hop, but in "The Bridge", MC Shan seems to imply otherwise: “You love to hear the story again and again/ Of how it all got started way back when/ The monument is right in your face/ Sit and listen for a while to the name of the place." If Queensbridge was falsely claiming the rap birthright as its own on wax, then that would be tantamount to a formal attack on the Bronx legacy and a full-on declaration of inner city war. The record was meant to simply big up their borough, but it was misinterpreted by KRS-One as revisionist history. When Queens legends Marley Marl and MC Shan, members of the famed Juice Crew, released "The Bridge" in 1985 they didn’t know they’d be starting a firestorm.
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See also: The Gap Band: " Outstanding" / Pineapples: "Come on Closer" But first, and for years thereafter, "Computer Love" wedged its way into not just West coast rap legend, but to NYC, Chicago, Baton Rouge, and presumably out into the cosmos. -Meaghan Garvey He was a martyr for the funk in every sense 14 years later, Larry fired four shots into his brother and then killed himself behind their Dayton, Ohio family studio.
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Credit due to Shirley Murdock and brother Larry Troutman, both co-writers, but the android romance was all Roger-a guy who re-learned the spoken alphabet to better fuse with he and his brothers’ homemade talk boxes that regularly electrocuted him and fucked up his stomach. But then there was "Computer Love": that rare, logic-defying union of man and crudely-rigged machine where the latter only heightens the humanity of the former (a balance later mastered by '05 T-Pain, '08 Lil Wayne, and '12 Future Hendrix), power lines sparking in a quiet storm. It will always be a mystery." By "Computer Love", Troutman’s family band Zapp had already optimized the golden ratio of bounce to ounce and laid the blueprint for g-funk even more directly than Parliament, but spiritual advisor George Clinton had dipped and album sales were tanking. It is forbidden for you to know the secrets. Roger Troutman called his talk box the Ghetto Robot or the Electric Country Preacher his longtime friend Bootsy Collins called it the Cosmic Communicator, the mythological equivalent to MJ’s sequined glove, a drug addiction: "We were able to translate this unspeakable sign language into street talk, on-the-corner croonin', babble, and liquid lovemaking.